WUSTL

83rd annual Fashion Design Show April 29

Leaving a Legacy comes to Plaza Frontenac

By Liam Otten

Double or Nothing, a large installation of woven sticks, branches and saplings by acclaimed artist Patrick Dougherty, makes a fitting backdrop for original dresses and gowns by graduating seniors in the Sam Fox School of Design & Visual Arts’ Fashion Design Program. Pictured is a taupe wedding dress by Ariel Baugh, inspired by abstract sculptures of birds and modeled by Antonia Isabella of the Barbizon Modeling Agency. All photographs by Jennifer Silverberg. Download hires version.

“As a designer, you want to make your statement,” says Jennifer Ingram, the W. H. Smith Visiting Assistant Professor of Fashion in the Sam Fox School of Design & Visual Arts. “You want to inspire, you want to motivate, you want to communicate some type of emotion.”
 

Those ambitions and more will be on full display at Plaza Frontenac April 29 when Leaving a Legacy, the Sam Fox School's 83rd annual Fashion Design Show, hits the runway. The fully choreographed show will feature dozens of models wearing scores of outfits created by the program’s nine seniors and 10 juniors.

But this year’s show also speaks to one legacy in particular. It marks the retirement of Jeigh Singleton, who began teaching at Washington University in 1972 and has directed the Fashion Design program since 1987.

“Jeigh is one of a kind — a legendary instructor,” says Ingram, a fashion alumna who studied with Singleton before graduating in 2004. She spent several years working in the fashion industry before returning to campus last fall.

“He’s always been a mentor for me,” Ingram says. Indeed, in creating her own lines, “I still go to Jeigh for advice. What’s missing, how can I make this my own, what does it need to push the drama?

“Jeigh is all about drama,” she adds with a smile.

This wedding gown by Jung Hyun Lee was inspired by the wave-like shapes of abstract sculptures, here expressed as a cascade of folds. Model is Shameeka Greene of the Barbizon Modeling Agency. Photo by Jennifer Silverberg. Download hires version.

‘Glitz and glamour’

As a student, Ingram participated in the program’s 2003 and ’04 fashion shows, both held at St. Louis Galleria.

“I loved the glitz and the glamor of it,” she says. “There’s just something about seeing your garments go down that runway, with professional models, lighting and production. That’s what I want to bring to Leaving a Legacy.”

And though the title certainly honors Singleton, Ingram says, it also celebrates the accomplishments of the students, particularly the graduating seniors.

“Each of these designers puts a distinctive stamp on everything they do,” she says. “They make the patterns, drape the muslin, choose the fabrics.

“This show is their statement.”

Program

Leaving a Legacy will open with fall dress groups — four apiece by each of the nine seniors, for a total of 36 looks. Inspirations range from geometry class and the Arts & Crafts movement to “The Flirty Thirties” and the works of Frank Lloyd Wright.

Next, the junior class will present fall suiting on the theme of “Basic Training,” after which the seniors return with winter coats inspired by the 1940s. Other groupings will highlight knits, spring separates and gowns.

Concluding the show will be the seniors’ signature collections, each a fully coordinated clothing line tailored to a specific audience and based on a specific theme. Inspirations this year range from “Egyptian Gilt” and “Daughters of the Earth” to “Elemental Style” and “Spring Nouveau.”

All clothing is selected by a jury of university faculty and local design professionals. Guest judges for 2012 included Project Runway alumna Laura Kathleen; image specialist Ellen Soule; and Janey Brauer Thompson, co-owner of Berrybridge Bridal.

This ballgown of transparent tulle by Corissa Santos features a bodice with navy blue pleated bands and a 50's-length skirt beneath. Model is Heather Rice of the Barbizon Modeling Agency. Photo by Jennifer Silverberg. Download hires version.

Tickets and times

Leaving a Legacy will begin at 7 p.m. Sunday, April 29, at Plaza Frontenac. Tickets are $65 for general seating, or $50 for students. 

Tickets are available through the Edison Theatre Box Office, (314) 935-6543, and metrotix.com. A limited number will be available at the door.

In addition, special reserved seating is available for $150, with proceeds going to support the fashion program.

Preceding the show, at 6 p.m., will be a reception featuring experimental garments by Jamie Presson-Wells, a fashion alumnus and current master’s candidate in the Graduate School of Art, and by sophomore Madeleine Docherty. 

A meet-and-greet with all designers will immediately follow, at 8 p.m.

For more information, call (314) 935-6500 or email samfoxschool@wustl.edu.

Organizers and co-sponsors

Leaving a Legacy is chaired by alumna Susan Block (BFA ’76) and co-hosted by Block and Saskya Emmink–Byron, director of communications for Craft Alliance.

Stylists are led by Dominic Bertani of the Dominic Michael Salon, who has done the models hair for the past 20 years. The models’ makeup will be done by Shiseido Cosmetics, led by Sheila Molina, and by students from The Paul Mitchell School. Footwear is provided by Brown Shoe Company and Saks Fifth Avenue.

Lighting, audio and runway tech is by Trent Joyce of Technical Productions. DJ is Doug Curtis of Clockwork Productions.

Outstanding student designers receive a variety of scholarships, cash prizes and awards. The Dominic Michael Silver Scissors Designer of the Year Award is presented to one outstanding senior at the end of the evening. Block sponsors the Silver Ripper Award, presented to one outstanding junior.

MEDIA CONTACTS
Liam Otten
Art News Director
(314) 935-8494
liam_otten@wustl.edu
Slideshow
A taupe wedding dress by Ariel Baugh, inspired by abstract sculptures of birds. Model is Antonia Isabella. Photo by Jennifer Silverberg.
This wedding gown by Jung Hyun Lee was inspired by the wave-like shapes of abstract sculptures, here expressed as a cascade of folds. Model is Shameeka Greene. Photo by Jennifer Silverberg.
This ballgown of transparent tulle by Corissa Santos features a bodice with navy blue pleated bands and a 50's-length skirt beneath. Model is Heather Rice. Photo by Jennifer Silverberg.
Constructed of layered chiffon and silk, this ballgown by Kerri Blumer was inspired by the glass sculpture of artist Dale Chihuly and plays with notions of translucence and opacity. Model is Shameka Greene. Photo by Jennifer Silverberg. Hires available upon request.
Inspired by abstract sculpture, this gown by Kelsea Anderson twists as it wraps around the body and layers transparent fabrics to create varying levels of opacity. Model is Antonia Isabella. Photo by Jennifer Silverberg. Hires available upon request.
Inspired by transparent glass sculptures, this dress by Hannah Wrangham uses the soft flow of chiffon to cradles the body and create an ethereal grace. Model is Chelsea Smith of the Barbizon Modeling Agency. Photo by Jennifer Silverberg. Hires available upon request.
This gown by Jessie Kritt was inspired by the sculpture of Richard Serra. Model is Rachel Rickert. Photo by Jennifer Silverberg. Hires available upon request.
This evening gown by Chandler Ronchetti is part of a collection of formal wear inspired by the marine life and the culture of Singapore. This dress specifically speaks to the coral reefs found off of the Singapore coast.  Model is Heather Rice. Photo by Jennifer Silverberg. Hires available upon request.
This ethereal wedding gown by Genevieve Saylak takes inspiration from by Brancusi's sculpture "Bird in Flight" and Japanese oragami, as well as from feathers and moth wings. Model is Shameeka Greene. Photo by Jennifer Silverberg. Hires available upon request.